As of December 2024 there are four novels (five counting an anonymous novella) published on Amazon. All but the novella are published in Kindle (recommended) and paperback form. There are also reviews published here by guest author Wehttam Tropapar. I will link to Mr. Tropapar’s reviews below. There are links to the books on Amazon in each review.
Foreign Agent was conceived while I was taking a shower, having just finished joking with my girlfriend about Chinese technology (his television, Alexa, phones, etc.) monitoring our sex. I joked that I should invoice the Chinese. As I go off to my shower, I say to her: “The only fantasy in all of this is that the Chinese would pay me.” In the shower, I had an epiphany! “I could,” I said to myself, “simply make believe the Chinese would pay me”—not for sex, but for my geopolitical opinion! Sex was an added bonus. And so Foreign Agent was born.
Foreign Agent the Last Chapter. 2022
Foreign Agent was to be a stand-alone novel. I had no thought to write another. But some months after the publication, in another shower, I had another epiphany. There was an element of the first novel, the aliens mentioned only in its last chapter, that could be the basis of a second novel, and so Foreign Agent the Last Chapter was born! This novel is closely tied to the first. The locale and characters are the same; only time has passed.
Once again, in the shower, I wistfully realize that my two novels are not selling very well—a few copies a year, maybe! But what might happen, I wonder, if the Cult of Aten (conceived in the second novel) were made real and took off? That became the basis of the third novel, the Cult and the first two books becoming wildly successful! But while the first two novels are ostensibly drafted by Francis Nash in Bangkok, this one is written by me-as-myself. The setting and characters—except for introductory mentions establishing context for the reader—are entirely different. If Foreign Agent and Foreign Agent the Last Chapter are brothers, Cult of Aten is more of a distant cousin and can be read as a stand-alone novel.
My fourth novel, LoveMe Inc., is entirely independent of the other novels. Narrated by a 38-year-old Matthew (who is not supposed to be me), the novel takes place near Washington, D.C., in 2027-9 and is something of a political thriller. There are a dozen or so main characters, but the central trio includes a libido-charged artificial intelligence conspiring to take control of U.S. and international politics based on ideas found in its training documents—which happen to include—surprise, surprise—the three prior novels of Matthew Rapaport!
The Out of Town Buyer (Kindle only)
The Out of Town Buyer is a co-authored novella, my first non-short-story piece of literature, written in 2005-6 but not published until 2012. The authors are listed as Anonymous & Anonymous to reflect the joint authorship and also hide themselves as both were married (one still is) at the time of the writing. Discovering that J (the co-author) was herself a stimulating erotica writer, I proposed that we write a story together. She proposed that we get together to “do some research.”
The story idea was that each scene (the sex and what happens before and in between the sex) would be crafted in detail and that each author would take a paragraph or two to describe that part of the scene in first person from their own viewpoint, the shifting voices being signaled by a change in font. Together (sometimes in bed), they mapped out the story paragraph by paragraph.
Unlike the later novels, part story and part sex, the novella is, except for an introductory few pages where we meet, all about the sex. My primary aim was to coax J into describing her orgasms. The reader will have to judge my degree of success.
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Sex in the novels: Through the 1980s, 90s, and into the early 2000s, I wrote a half dozen pornographic short stories published on the Usenet (it was one of these stories, published in 2005 on Literotica, that brought J and me together to write The Out of Town Buyer). In those stories, excessively erotic explicitness is the backbone of the writing’s humor. This practice is only a little smoothed out in the novella, and sex remains over-described in the first two novels. When I wrote Cult of Aten, I decided it was too much of a good thing. In the longer form, the over-description got tiring. As a result, most of the over-description and even some, but by no means all, of the explicitness is removed in Cult of Aten, and this process advances in LoveMe Inc., where even more of the sex, but not all, is closer to soft-core.
Ruminations 